Brancaia Collection 2025
The project that combines art and pleasure in collaboration with the artist Viola Granucci.
The Brancaia Collection 2025 was designed by the Italian artist Viola Granucci, who was given the same task as the artists before her: to create six different Brancaia labels as a series, with the only condition that the two squares of the Brancaia label must be retained.
The artist of the year 2025
Viola Granucci, born in Florence in 1983, is an artist and sculptor. She works in her studio in Florence and in her father’s studio in Greve in Chianti. After graduating from the Accademia di Belle Arti in Florence, she received a scholarship for postgraduate studies in sculpture and photography at the Minneapolis College of Art and Design (USA).
Since 2003, she has been combining materials such as bronze, terracotta and iron in her sculptures. Her works have been exhibited internationally, including at the “XXIV Biennale of Sculpture in Gubbio”. She has also created large-scale iron installations for private collections and public parks.
For the BRANCAIA COLLECTION 2025, the artist has reinterpreted her sculptures: dynamic figures in balance, often on circles, as a symbol of harmony and change. At the center of each label is a labyrinth – a symbol of an inner journey that reflects the maturing process of the wine.
The limited edition is exclusive and available in a limited quantity. Inside the elegant black cardboard box, there are 6 bottles of our TRE in a 0.75L format, featuring their artistic design. Only some of our exclusive international partners have them available.
To find out where to locate this edition, you can email us at brancaia@brancaia.it. If you live in Italy, it is available in our online shop with free shipping throughout the country, as well as at our Winery Shop (in Radda in Chianti).
More about the art behind the labels.
KISS
In this work, the artist takes up her sculpture “The Kiss”, in which a male and a female figure are inside a circle. Her pose is reminiscent of Leonardo da Vinci’ s Vitruvian Man – a symbol of the connection between man and the cosmos. In this case, man and woman take center stage as an expression of a spiritual balance with the elements. This idea is reinforced by the labyrinth at the center of the scene, which acts as the heart of their connection.
BALANCE
The artist refers to one of her most recent works entitled “Equilibrium”. Two figures, male and female, are engaged in a playful dialog, supporting each other and thus maintaining a fragile balance – supported by equally strong, opposing forces that keep them from falling. Like many of her works, this piece invites reflection on the power of connection: on the need for balance, mutual listening and support.
ACROBATS I
Inspired by the sculpture “Acrobat Sisters”, this work shows two female figures of different ages – sisters who mirror each other. It is part of a series about acrobatic figures that are understood as living, joyful symbols of an ongoing search for stability in a constantly changing world. The artist thus emphasizes the principle of dynamic equilibrium and the fluid nature of interpersonal relationships.
EQUILIBRIUM
Here, the artist reinterprets an earlier version of her sculpture “Equilibrium” – a work that has also been realized as a large-scale permanent installation made of iron. Two figures float within a circle, held by opposing forces. The work stands for the power of interpersonal relationships and the desire to overcome boundaries together – based on mutual trust and support.
UPSIDEDOWN LOVE
This work is also based on a sculpture by the artist entitled “Upside Down Love”, in which two figures – one upright, the other upside down – face each other. They climb up and down an endless staircase, enclosed in a circle. The labyrinth in the center permeates their encounter and symbolizes a love that is not linear, but is marked by ups and downs, reversals and turning points.
ACROBATS II
Based on the sculpture “Acrobat Family”, also part of the acrobat series, this work shows a father-daughter relationship. The small figure imitates the movements of the larger one – a game of imitation, learning and growth. The acrobatic act stands here as a metaphor for the individual development and transformation process that every person goes through in the course of their life.
